Bruce Rich - Web/Graphic Designer, Music Producer, VJ
Novachild Remixes Chrysta Bell
I’ve been a busy body lately. And loving every minute of it.
First, I released Havia, my 7th studio album, which I’m sure you’re already familiar with since it’s plastered all over the site. You can also find it on CDBaby, iTunes and Amazon (soon on Spotify and others). I should also mention that your assistance getting me rated and reviewed on iTunes/Amazon is highly favored. It only takes a few seconds!
Second, I released the short EP “Evolution of Complex Beings.” I wanted to explore my penchant for synth without the complexities of session musicians and editing.
...and the single “Semra.”
Third, I’ve started obsessing over remixes.
First up, my take on Chrysta Bell’s “The Truth Is...” originally produced by David Lynch (he also plays guitar, and I got to fiddle around with his guitar track, which was cool).
Secondly, my take on some celtic lushness by Blissphemy:
Feedback is groovy. Since I tend to give away a ton of download codes on Facebook, you might also like to join me there.
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation
First, I released Havia, my 7th studio album, which I’m sure you’re already familiar with since it’s plastered all over the site. You can also find it on CDBaby, iTunes and Amazon (soon on Spotify and others). I should also mention that your assistance getting me rated and reviewed on iTunes/Amazon is highly favored. It only takes a few seconds!
Second, I released the short EP “Evolution of Complex Beings.” I wanted to explore my penchant for synth without the complexities of session musicians and editing.
...and the single “Semra.”
Third, I’ve started obsessing over remixes.
First up, my take on Chrysta Bell’s “The Truth Is...” originally produced by David Lynch (he also plays guitar, and I got to fiddle around with his guitar track, which was cool).
Secondly, my take on some celtic lushness by Blissphemy:
Feedback is groovy. Since I tend to give away a ton of download codes on Facebook, you might also like to join me there.
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation
Comments
Havia - New Art
Thursday, December 22, 2011 Filed in: art | Graphic design
I’m in the process of getting my new music up on iTunes, Spotify, Amazon etc. Thought I’d take the opportunity to redo the album art, since I never fully intended the original to be the de facto version. Without further delay, here it is:
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation
Review/Guided Tour of "Havia" - by Angela Hail
Angela Hail is a lady of impeccable musical taste. She’s also a writer, blogger, and friend. Here’s what she has to say about the new album (and yes, I’m still blushing).
ALBUM REVIEW & GUIDED TOUR - Novachild “Havia” - 11/29/11- by Angela Hail
I have been wandering through the varied terrain of Havia, the 7th studio album of musical artist Novachild, for the past several days. This vast, sweeping vision of ambient electronica is easy to get lost in, and difficult to leave. The artist describes this latest work as “the soundtrack of an imaginary place.” It certainly is that. A land of inspiration and yearning and adventure. I'd like to give you a guided tour.
The album kicks off with “Analog Revolutionary,” a soaring testimony to all that is true and pure and fulfilling about being alive. This is the prize at the end of a journey, hard won and well fought. It is also the hope and adrenaline of a journey's beginning--that moment when you are about to step off the cliff to see if you can really fly. It is the moment of enlightenment and of connection to something greater . . . something larger and more real than anything you have ever experienced. And when you finally let go, you find that you are weightless.
Havia then sweeps you off into “The Grand Stream,” which feels immediately like stepping into a gladiator's circle. This is where the story truly takes off, where the plot gets laid and the substance, the risk, is first realized. If this album were the story of an uprising, “Analog Revolutionary” would be the beginning spark of a revolutionary idea. “The Grand Stream,” then, would be the revolution itself. With huge swells of crowd chanting and pulsing rhythms along with an undercurrent of danger, you know just where you are. You've become a part of the flow, a part of the Grand Stream, and there is no turning back.
“Kiss that Baby,” a little more fun and a little more chill, takes you to a place where perhaps you meet the master, the timeless one, who is at once beautifully, perfectly young and inconceivably old. This is one who will give you the knowledge you need to reach the next stage. You listen. You pay attention in a way you don't think you ever have before. Something in this moment is vital and you don't want to miss a single beat.
The master then takes you through the next track, a place known as “Ice Cold,” where your new-found knowledge and skills are tested. Questions are asked and answered. The challenge is laid before you, with everything at stake.
And then you come, utterly alone, to “Cultivate the Void”--a dark, rhythmic masterpiece that feels at once heart-thumpingly primal, with its hand drums and otherworldly female voice (both urging and questioning, for what you do not know), juxtaposed against the supreme refinement of a jazzy horn section which transports you to a glittering ballroom complete with mambo dancers and laughing guests drunk on fine wine. “Cultivate the Void” is the most complicated of dreams. And as you awake in a fever-sweat, plagued by strange, disconnected images, you know it may be the most significant moment of your entire quest.
The next track, “Sleepytime,” is the sound of peace and reassurance. All is not yet lost, young one. There is still hope. It is a flying unicorn of a tune, and yet it brings you back down to earth, to the womb, where you are loved and protected in a haven of soft light and sound.
Finally, in the cyclic nature of all good stories, Havia ends with “Our Pleasant Moments Fly,” a tune that completes the journey by patting you on the back and then handing you your next mission. The village has been saved, you've won the battle, but the greater war rages on. It is time for your next great adventure. And, if you play this album on repeat, as I've been doing, “Our Pleasant Moments Fly” flows back into “Analog Revolutionary”--back to the beginning . . . and the end . . . and the beginning.
This is your imagination on Novachild. Any questions?
COUPON CODE FOR 30% OFF HAVIA (good through 11/30/11): 30percent
Share This Story on Facebook
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation
ALBUM REVIEW & GUIDED TOUR - Novachild “Havia” - 11/29/11- by Angela Hail
I have been wandering through the varied terrain of Havia, the 7th studio album of musical artist Novachild, for the past several days. This vast, sweeping vision of ambient electronica is easy to get lost in, and difficult to leave. The artist describes this latest work as “the soundtrack of an imaginary place.” It certainly is that. A land of inspiration and yearning and adventure. I'd like to give you a guided tour.
The album kicks off with “Analog Revolutionary,” a soaring testimony to all that is true and pure and fulfilling about being alive. This is the prize at the end of a journey, hard won and well fought. It is also the hope and adrenaline of a journey's beginning--that moment when you are about to step off the cliff to see if you can really fly. It is the moment of enlightenment and of connection to something greater . . . something larger and more real than anything you have ever experienced. And when you finally let go, you find that you are weightless.
Havia then sweeps you off into “The Grand Stream,” which feels immediately like stepping into a gladiator's circle. This is where the story truly takes off, where the plot gets laid and the substance, the risk, is first realized. If this album were the story of an uprising, “Analog Revolutionary” would be the beginning spark of a revolutionary idea. “The Grand Stream,” then, would be the revolution itself. With huge swells of crowd chanting and pulsing rhythms along with an undercurrent of danger, you know just where you are. You've become a part of the flow, a part of the Grand Stream, and there is no turning back.
“Kiss that Baby,” a little more fun and a little more chill, takes you to a place where perhaps you meet the master, the timeless one, who is at once beautifully, perfectly young and inconceivably old. This is one who will give you the knowledge you need to reach the next stage. You listen. You pay attention in a way you don't think you ever have before. Something in this moment is vital and you don't want to miss a single beat.
The master then takes you through the next track, a place known as “Ice Cold,” where your new-found knowledge and skills are tested. Questions are asked and answered. The challenge is laid before you, with everything at stake.
And then you come, utterly alone, to “Cultivate the Void”--a dark, rhythmic masterpiece that feels at once heart-thumpingly primal, with its hand drums and otherworldly female voice (both urging and questioning, for what you do not know), juxtaposed against the supreme refinement of a jazzy horn section which transports you to a glittering ballroom complete with mambo dancers and laughing guests drunk on fine wine. “Cultivate the Void” is the most complicated of dreams. And as you awake in a fever-sweat, plagued by strange, disconnected images, you know it may be the most significant moment of your entire quest.
The next track, “Sleepytime,” is the sound of peace and reassurance. All is not yet lost, young one. There is still hope. It is a flying unicorn of a tune, and yet it brings you back down to earth, to the womb, where you are loved and protected in a haven of soft light and sound.
Finally, in the cyclic nature of all good stories, Havia ends with “Our Pleasant Moments Fly,” a tune that completes the journey by patting you on the back and then handing you your next mission. The village has been saved, you've won the battle, but the greater war rages on. It is time for your next great adventure. And, if you play this album on repeat, as I've been doing, “Our Pleasant Moments Fly” flows back into “Analog Revolutionary”--back to the beginning . . . and the end . . . and the beginning.
This is your imagination on Novachild. Any questions?
COUPON CODE FOR 30% OFF HAVIA (good through 11/30/11): 30percent
Share This Story on Facebook
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation
Feedback from Diegesis Freak
"Are you a fan of innovative electronic music? Do your imagination a favor and have a listen to the latest offering from Novachild, aka Bruce Rich. Billed as 'the soundtrack of an imaginary place,' I'm here to tell ya- it just so happens that I've BEEN there and it totally sounded like this."
- Jason Green (aka Diegesis Freak)
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation
- Jason Green (aka Diegesis Freak)
History of Suspicion from Diegesis Freak on Vimeo.
Novachild on iTunes
Novachild on Amazon
Novachild on Twitter
Novachild on Facebook
Novachild on Bandcamp
Novachild on ReverbNation