Bruce Rich - Web/Graphic Designer, Music Producer, VJ

KOOP, Austin to Air Novachild on "Fade To Yellow"

Tune in tomorrow (Tuesday, 12/5/11) to KOOP’s “Fade To Yellow” Broadcast at 9PM CST for “another dose of the most awesome Post-Rock, IDM, Electronic, Ambient and Drone music.” Including Novachild.

Fade To Yellow broadcasts from the KOOP studios here in Austin, Texas. The show streams at www.koop.org. DJ Progscot will be your host and will guide you through this musical extravaganza. On the show this week I have music from :Novachild, J Butler, Evolv, Sumner McKane, Cobra-Matic and Closure


Fade To Yellow airs each Tuesday night @ 9-10pm exclusively at www.koop.org

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Review/Guided Tour of "Havia" - by Angela Hail

Angela Hail is a lady of impeccable musical taste. She’s also a writer, blogger, and friend. Here’s what she has to say about the new album (and yes, I’m still blushing).

ALBUM REVIEW & GUIDED TOUR - Novachild “Havia” - 11/29/11- by Angela Hail

I have been wandering through the varied terrain of Havia, the 7th studio album of musical artist Novachild, for the past several days. This vast, sweeping vision of ambient electronica is easy to get lost in, and difficult to leave. The artist describes this latest work as “the soundtrack of an imaginary place.” It certainly is that. A land of inspiration and yearning and adventure. I'd like to give you a guided tour.

The album kicks off with “Analog Revolutionary,” a soaring testimony to all that is true and pure and fulfilling about being alive. This is the prize at the end of a journey, hard won and well fought. It is also the hope and adrenaline of a journey's beginning--that moment when you are about to step off the cliff to see if you can really fly. It is the moment of enlightenment and of connection to something greater . . . something larger and more real than anything you have ever experienced. And when you finally let go, you find that you are weightless.


Havia then sweeps you off into “The Grand Stream,” which feels immediately like stepping into a gladiator's circle. This is where the story truly takes off, where the plot gets laid and the substance, the risk, is first realized. If this album were the story of an uprising, “Analog Revolutionary” would be the beginning spark of a revolutionary idea. “The Grand Stream,” then, would be the revolution itself. With huge swells of crowd chanting and pulsing rhythms along with an undercurrent of danger, you know just where you are. You've become a part of the flow, a part of the Grand Stream, and there is no turning back.


Kiss that Baby,” a little more fun and a little more chill, takes you to a place where perhaps you meet the master, the timeless one, who is at once beautifully, perfectly young and inconceivably old. This is one who will give you the knowledge you need to reach the next stage. You listen. You pay attention in a way you don't think you ever have before. Something in this moment is vital and you don't want to miss a single beat.


The master then takes you through the next track, a place known as “Ice Cold,” where your new-found knowledge and skills are tested. Questions are asked and answered. The challenge is laid before you, with everything at stake.


And then you come, utterly alone, to “Cultivate the Void”--a dark, rhythmic masterpiece that feels at once heart-thumpingly primal, with its hand drums and otherworldly female voice (both urging and questioning, for what you do not know), juxtaposed against the supreme refinement of a jazzy horn section which transports you to a glittering ballroom complete with mambo dancers and laughing guests drunk on fine wine. “Cultivate the Void” is the most complicated of dreams. And as you awake in a fever-sweat, plagued by strange, disconnected images, you know it may be the most significant moment of your entire quest.


The next track, “Sleepytime,” is the sound of peace and reassurance. All is not yet lost, young one. There is still hope. It is a flying unicorn of a tune, and yet it brings you back down to earth, to the womb, where you are loved and protected in a haven of soft light and sound.


Finally, in the cyclic nature of all good stories, Havia ends with “Our Pleasant Moments Fly,” a tune that completes the journey by patting you on the back and then handing you your next mission. The village has been saved, you've won the battle, but the greater war rages on. It is time for your next great adventure. And, if you play this album on repeat, as I've been doing, “Our Pleasant Moments Fly” flows back into “Analog Revolutionary”--back to the beginning . . . and the end . . . and the beginning.

This is your imagination on Novachild. Any questions?

COUPON CODE FOR 30% OFF HAVIA (good through 11/30/11): 30percent

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Music Recommendations

I’m constantly amazed with the level of quality in the Netlabel realm. Telafonica is no exception, rather, they are the rule.

Telafonica is a “complex web of permanent and transient members,” though my ears hear a level of sympatico and energy that rarely comes from tight-knit groups who live close and practice often. Read more about them here. Combining an experimental pop flair with bold beats, moody textures and rhythms processed from a place not unlike Earth but slightly more hyper-dimensional, Telafonica tickles my music-bone in a way that, say, Bjork can only do when collaborating with the likes of Matmos.



Next up, Sunna Gunnlaugs.

Long Pair Bond is the kind of Jazz that doesn’t hit you upside the head. Rather, the moody minimalism crawls slowly into the nervous system, draining away the tension that makes a person feel less than human, coaxing one gently into a cozy, warm space of comfortable sensuality. This is how Jazz will sound like in the afterlife. Love it.



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The Cosmic Microwave - Dystopioid - The 24 Hour Project

Three years ago, Novachild and Diegesis Freak cooked up some interesting music for the 24-Hour Project. Armed with a Pogoplug (v 1), ample bandwidth and prodigious levels of bean juice, we cranked this out in about 7 hours.

(Audio Possibly NSFW)



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"New" Music Available

I’ve been working on getting a number of previously unreleased tracks ready for free streaming & affordable downloading. In the next little while, I will be posting these links throughout the rest of my web site, but here they are together for now.

Streaming is free. Sharing is appreciated. Downloading is cheap.

NEW ALBUM:

NEW SONG:



WEARY DEMONS EP:

SINGLES:























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New Song: "Smart Car"



This short and sweet song is my interpretation of driving down a moderately busy neighborhood street in a smart car.

For reals. I'm not just being pretentious. The best thing, however, is that I wrote it on the same day "Havia" was released. Inspired by a productivity buzz, three cups of special coffee, and a sudden urge to twiddle, "Smart Car" is my homage to liberation from infinite possibility.

Due to a recent computer crash, I'm having to mix on an older, slower mac. It's very different from anything on "Havia," but thus is the life of someone who can't play in the same room all day. Enjoy and share.

Credits
Released 14 November 2011
Billy Gray provided the Bass Riff.
James McGowan provided the Drum Riff.

They are awesome dudes. You can find their band “Something Warm” on Facebook. They also have a 5-song EP coming out, which I am currently wrapping up production for. Good times.

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New Music & Video - Novachild - Analogue Revolutionary

Quick update:

Here’s a fun video I made to my new song “Analogue Revolutionary,” which is also making its public debut in said video. The poetry was written by myself quite a few years ago and originally featured in the liner notes to “Traveller.” I decided to transport the travel theme into this song as a homage to where I’ve been. I hope you enjoy, and please share on your respective social media outlets to help spread the word about Novachild.



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Feeding Fish

2011 marks 10 years of the Novachild project. To celebrate, I’ll be posting some rare/unreleased tracks from time to time. Some may even be remixes, but very likely I will allow time to be heard and avoid ‘fixing’ these old mixes as much as I can.

Here’s an ambient piece I wrote in 2001. Enjoy, share, comment!

Feeding Fish (2001) by novachild

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